showing 42 results matching medium:"Collage on paper"

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rust-red ground paper applied to white sheet; predominately rectangular pieces of colored paper, mainly applied to LRQ--oranges, reds, purple, browns, cream-colored

%C2%A9 Estate William Dole

Like Red, 1962

William Dole

Not on View
old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC

%C2%A9 Estate William Dole

Work Sheet I, 1964

William Dole

Not on View
collage consisting of two figures, labelled Frank and Sara, attached to an abstract background, with text across top edge ("Yondering") and bottom edge ("Ugh Ugh Ughskin Ugh"); male figure on L, "Frank," is outlined in black with red text labelling different body parts; the female figure on R, "Sara," is outlined in black with red cheeks and a gray body and shadow, surrounded by white text ("Sara in woods"), white trees, and yellow smiley faces; a rectangular addition is attached at C with abstract black imagery as well as text over red sections ("red+red+red"...etc.); background is mostly black and gray, with sections of red, yellow, and blue along upper edge; text across top is orange and blue with plus signs and a dream catcher on R; text across bottom is in patterned, geometric border

%C2%A9 Brad Kahlhamer

Yondering, 2011

Brad Kahlhamer

Not on View
collage adhered to white mount board; abstract image of a landscape; yellow horizontal lines across top and bottom; moon in center left in pale blue pigments; torn paper in mauve pigment, with washy green, gray sections, and bands of pigment in red, bright green and yellow in center

%C2%A9 Lee Hall

Umbria – Cold Moon, 2015

Lee Hall

Not on View
collage adhered to white mount board; collage has appearance of layered, colorful strips of paper with softly torn edges; two vertical green lines at bottom, with a thin, yellow line in between; rolling green hills made of ripped paper in center; gray and white clouds at top, with bright turquoise sky at top

%C2%A9 Lee Hall

Umbria – Night Paths, 2015

Lee Hall

Not on View
collage with photographic element; multicolored world map in background; black and white photograph in foreground of a young woman wearing Native American dress, seated on a couch covered in Native American woven blanket, surrounded by quillwork and beadwork items; photocopy of a photographic image of a Native American man with long hair wearing feathers in his hair in ULQ, with a photocopy of an image of a white woman's face with reddened lips, and an image of a Native American woman wearing large round earrings; photocopy of image of two standing woman and a standing man in ULQ; received unglazed in black metal frame

When Did Dreams of White Buffalo Turn into Dreams of White Women?, 1990

Hulleah Tsinhnahjinnie

Not on View
maroon sheet with child's face in center, with outspread wings in purple pigment in all quadrants; nude female figure with outstretched arms in top center above child’s head; seated male figure holding a staff at bottom center under child's head; fantastic beasts on center right and center left

%C2%A9 Estate of Sekino Jun%27ichir%C5%8D

Cover of the book "Strange Tales of Matasaburō", 1952

Sekino Jun'ichirō

Not on View
four applied rectangles on top half of sheet--three on top, with one beneath; rectangles from left to right: green square with white flower at top and white lines at bottom, white rectangle with reddish-purple stylized torso and head of figure with open mouth with white horizontal line on chest, purplish-red rectangle with thin circular white scratch-outs; irregular rectangle of soiled white cloth with blue stripes and pattern in ULC beneath green rectangle; some black ink vertical scratchy lines beneath rectangles; black ink splatters, ULC; brown and reddish brown vertical and horizontal waxy marks around rectangles; ground paper is white with pale grey

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
grey-peach wash on bottom of ground, with touches of peach and yellow at bottom center; six applied rectangles of various sizes and orientations at center, including vertical strips of cloth (maroon and blue stripes beneath dirty cream-colored cloth) at center top; grey abstract splotchy imagery at left on largest rectangle (standing figure?); thin lines in sketchy letter-like configurations at bottom center, on applied rectangle in ULQ in reddish-black and on soiled blue and white striped fabric at left center; rectangle of red with white scratches circular design at center bottom

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
cream ground with orange around edges of sheet and pale grey wash; four applied rectangular collage elements; one rectangle of blue and white striped cloth with orange and green lines at right; red blotchy rectangle with black linear marks at top center; mottle black organic form at top center beneath red rectangle; scratchy black marks, ink spots and reddish-black square beneath mottled organic form

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
cream colored ground paper; applied rectangles and squares of paper at left, with some red linear marks along edges of ground sheet and on collage elements; frog-like form at top left of center in black and red; square and rectangle with red and green blotches; rectangle with three shades of pale grey below and to right of frog

%C2%A9 The Estate of Hannelore Baron

Untitled, 1981

Hannelore Baron

Not on View
two collaged figures with wolf heads on female human bodies; figure on L has snake skin patterned legs and hands on the other figure's waist; the figure on R has a yellow, brown, and pink watercolored body with white splatter pattern and PL hand on hip; above figures are draped black and red ribbon-like streamers

%C2%A9 Wangechi Mutu

Intertwined, 2002

Wangechi Mutu

Not on View
large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side

%C2%A9 Estate William Dole

Tally IV, 1966

William Dole

Not on View

%C2%A9 Agnes Story

Vermillion, 1981

Agnes Story

Not on View

%C2%A9 Frank Gaard

Costumed Ball, 1970

Frank Gaard

Not on View
busy, colorful layered image rendered in multicolored pigments; green flooring with linear square pattern along bottom edge of image; red and purple creature, with two legs on the floor, each foot containing smaller legs and a red mouth extended downward with jagged teeth in LRC; several layered pieces of paper added to creature, one of which is a long had with two protruding eyes, and three slender, jagged openings in pink pigment; circular shape in URC resembling a planet in URC; orange and red long squiggly shape, with slender, curving protrusions in top right; upside down rising staircase in gold and peach pigment in top center; long neon green shape in center left of image; neon pink shape with orange linear pattern in LCQ; gaping purple mouth with red interior and sharp white teeth in ULQ; yellow creature in the shape of a squared-off arch, with three curving legs, long nose, oval mouth and a single eye on forehead in bottom left edge

%C2%A9 2019 Paul Lamantia

Crime Alley, 1969

Paul Lamantia

Not on View
three stylized faces and one figure; face at top center has applied collage element of printed paper with rows of guns on a red background; face in URC appears to be wearing a mask over its eyes with red and black round eyes and green, red and purple elements; face in URC has blonde hair and pink circles on cheeks; figure in LLQ wear orange dress and red high-heeled shoe and has brown hair; each face has orange lip-print mouth; lines, stars, stripes, clouds in negative space in various colors

%C2%A9 Linda Kramer

Four Faces, 1970

Linda Kramer

Not on View
Rectangular band of pigments in center that is segmented into separate designs; four pencil lines on left above edge of band; series of pencil drawings under band of pigment that indicate a blue print/ instructional system; 9:00, 12:00 and 5:00 written in pencil in above band of pigment; text written in pencil- arrow with 'NIGHT- FLIGHT OF EAGLES' inscribed to right of arrow; small eye with brown pigment washed over the in bottom center with word 'WATCH' inscribed below in pencil, with two diagonal in R and L of eye

%C2%A9 Fred Martin

Night Flight of Eagles (A Time Chart), 1963

Fred Martin

Not on View
Abstract image; arch shape in brown pigments with gold pigments in the inside in bottom center; rectangle shape in center with a textured raised chalice with a small tree extending out of it; thin black lines extending out of the chalice; black arch on top of brown arch with red, yellow, green and blue diagonal lines; two triangle shapes in LLC and LRC; black splotches, some with red and purple pigment throughout background; raised textured rectangle with word 'LOVE' inscribed in LLC; small white piece of paper with brown star at bottom and with text reading 'I searched for the mountain where I remembered the rainbow; I did not know it lay now under the Dark Star'

%C2%A9 Fred Martin

Love, 1984

Fred Martin

Not on View
Pair of abstracted figures

%C2%A9 Estate Hugh Kappel

Untitled, 1969

Hugh Kappel

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Good Taste, 1964

Robert Kilbride

Not on View

%C2%A9 Estate Greg Kelsey

Untitled, 1978

Greg Kelsey

Not on View
busy, colorful layered image rendered in multicolored pigments; humanoid figure lying in supine position with a vertical thick black tree puncturing figure's eye in LRC; figure with branches protruding from head and arms, with gaping red mouth and sharp teeth, adorned in orange and black 'amoeba' shapes throughout body on left; large head in profile view with large mouth and large teeth in URC

%C2%A9 2019 Paul Lamantia

To Recapture My Mind, 1969

Paul Lamantia

Not on View
tan with red, off-white, and black uneven net-like fiber border; grey rectangular paper stitched in center with crosshatched flowering wave, or mountain-like shapes; large oval in lower center of paper covered with multi-directional tan stitching; tan and black fibers stitched in wavy lines across paper and fiber border to form continuous lines; one circular cutout of paper with black and gray design near URC of paper; four small circular cutouts of paper with colorful dots attached near URC of paper

%C2%A9 Norma Minkowitz

Lunar Landing, 2017

Norma Minkowitz

Not on View

Silent Night, 2007

Pablo Helguera

Not on View

The Emergency Motives, 2007

Pablo Helguera

Not on View
busy, colorful layered image rendered in multicolored pigments; orange box with black drawings with an eyeball protruding out of the right side of box in top left edge of image; series of curving blue lines in ULC; long, slender abstracted face with open red mouth and sharp teeth in LRC; two orange triangles with red outlines in center right

%C2%A9 2019 Paul Lamantia

Transmutations, 1969

Paul Lamantia

Not on View
abstract image with light, reverse-printed newsprint text; some light green tendril-like elements

Robert Rauschenberg%2C Noname %28Elephant%29%2C 1973 %C2%A9 Robert Rauschenberg Foundation

Noname (Elephant), 1973 (published 1974)

Robert Rauschenberg; Publisher: The Committee to Endow a Chair in Honor of Meyer Schapiro, at Columbia University, New York; Printer: Untitled Press, Inc., Captiva, Florida

Not on View

Study for Olaf Swenson, 1963

Robert A. Nelson

Not on View

Five Cut-out Birds, late 17th-early 18th century

Unknown , 17th-18th century; Artist: after Claude Aubriet

Not on View

Swimming Pool, 1984

Agnes Story

Not on View

Recognition of Three Events, 1976

Kinji Akagawa; Printer: Kinji Akagawa

Not on View

Floorsky, 1976

Greg Kelsey

Not on View

Untitled [ballet scene], 1984

Agnes Story

Not on View

Study for 'Shell Bufferfly', 1978

Stuart Nielsen

Not on View

Vigilante (or busted lip), 2006

William Cordova

Not on View

Sounding Forms, 2004

Philip J. Barber

Not on View

Nuclear Landscape, 1977

Greg Kelsey

Not on View

Ken, 1982

Frank Gaard

Not on View

Thumbs up (we must be living right), 2008-2010

Andy DuCett

Not on View

Untitled (Berries and clams), 2003

John Walker

Not on View

Crypsis, 1995

Karen Ann Klein

Not on View

showing 42 results matching medium:"Collage on paper"

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